Piano Collections
Contents:
1. The Phrasing Attack
Two-note phrases (right hand)
No.1 example from Liszt, Hungarian Rhapsody, no.12
No.2 Example from Barnby, sweet and low
Two-note phrases (up-stroke)
No.3 Example from Dvorak, Humoreske
2. Melody Playing
No.4 Example from Brahms, cradle song (Wiegenlied)
No.5 Example from Rimsky-Korsakov, Sheherazade
3. Staccato Wrist staccato in melody playing
No.6 Example from Paganini, the chase
No.7 Example from Schubert, Unfinished symphony
Wrist staccato (left hand)
No.8 Example from Beethoven, Rondo in G finger staccato (right hand)
No.9 Example from Rossini, overture "William Tell"
4. Arm Attack (Fore-arm)
No.10 Example from Liszt, Hungarian Rhapsody, no.14 up-arm stroke (left hand)
No.11 Example from Tchaikovsky, Nutcracker suite
Up-arm stroke (both hands)
No. 12 Example from Scharwenka, Polish dance
Rotary principle
No.13 Example from Rubinstein, melody in F
5.Legato. High finger legato
No.14 Example from Haydn, gypsy rondo
Close finger legato
No.15 Example from Massenet, Aragonaise
6. Miscellaneous
Melody playing, no.16, example from Beethoven, Andante Favori
Forearm attack, no.17, example from Beethoven, sonata op.53
Staccato and fore-arm, no.18, example from Grieg, Peer Gynt suite
Two chords on one-arm impulse, no.19 example from Wagner, Lohengrin
Up-arm stroke, no.20 example Russian Gypsy dance, dark eyes
Finger legato, no.21 example from Morris dance, shepherds hey
Pressure touch, no.22 example from Tchaikovsky, sixth symphony
Fore-arm and finger legato, no.23 example from Liszt, Hungarian Rhapsody no.12
Finger legato, wrist and fore-arm staccato no.24, example from Verdi