Mickey Baker’s complete course in jazz guitar book 2 : a modern method in how-to-play jazz and hot guitar /
Material type:
TextCarlstadt, NJ : Lewis Music Publishing Co., Inc., ©1959Description: 47 pages : illustrations ; 28 cmSubject(s): LOC classification: - MI ML 156.4 .G8 M583 1959
| Cover image | Item type | Current library | Home library | Collection | Shelving location | Call number | Materials specified | Vol info | URL | Copy number | Status | Notes | Date due | Barcode | Item holds | Item hold queue priority | Course reserves | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
|
|
PBTS Library | MI ML 156.4 .G8 M583 1959 (Browse shelf(Opens below)) | Available | M01995 |
Browsing PBTS Library shelves,Shelving location: Circulation Section Close shelf browser (Hides shelf browser)
| No cover image available | No cover image available | No cover image available | No cover image available | No cover image available | No cover image available | |||
| MI ML 156.4 .G8 K882 2006 Learn & master guitar : lesson book / | MI ML 156.4 .G8 M448 1978 How to play jazz guitar / | MI ML 156.4 .G8 M583 1955 Mickey Baker’s complete course in jazz guitar book 1 : a modern method in how-to-play jazz and hot guitar / | MI ML 156.4 .G8 M583 1959 Mickey Baker’s complete course in jazz guitar book 2 : a modern method in how-to-play jazz and hot guitar / | MI ML 156.4 .G8 So688 1998 The Philippine guitar : a book of traditional songs for solo guitar / | MI ML 156.4 .G8 Y883 1920 Your favorite hymns for guitar : book one / | MI ML 156.4 .T8 G681 1948 Gornton’s… intermediate trumpet (or cornet) method / |
Musical Instruments (MI) - Guitar
Contents:
1. Chord Forms
2. Chord Forms (cont.)
3. Chord Exercises
4. Simple Chord Analysis
5. Chords and Passing Tones
6. Dominant to Tonic
7. Chords and Song Forms
8. Resolutions of Chord Cycles
9. Related Chords
10. Altered Chords
11. Chords and Melody Playing
12. The Cadence
13. Symetric Harmony
14. Symetric Cycles
15. Symetric Introductions and Endings - Part 1
16. Symetric Introductions and Endings - Part 2
17. Augmented Cycles
18. Augmented 7ths
19. Application of Symetric Cycles
20. Chord Analysis
21. Diminished and Augmented Resolutions
22. The Cadence Break
23. Pedal Point
24. Practical Use of Pedal Point
25. Counterpoint
26. Summary
MI in Call Number means "Musical Instrument"
There are no comments on this title.